A dowry, a murder and a surprise attack
Mandore has an older, stranger claim. Local tradition says Mandodari, wife of Ravana, the demon king of the Ramayana, was born here, and the town's name is sometimes linked to hers. A small temple to Ravana stands in the area, and at Dussehra, when most of India burns his effigy, a few families here mourn him instead.
Before the Rathores: Mandore was the capital of the Pratiharas of Mandavyapura, a Rajput dynasty who ruled this part of the Thar from around the sixth century.
The old name: Mandavyapura is usually linked to the sage Mandavya.
- Built
- Pratihara fort from around the sixth century, royal devals over three centuries after 1459
- Built by
- The Pratiharas, then the Rathore kings
- Open
- A public garden, with a small museum
- Allow
- About two hours
- Best time
- Late afternoon in the cool months
- Photography
- Red spires at last light, or early for no crowds
- Getting there
- About nine km north, half an hour's drive
- Pratihara traces: they built a fort on the hill and temples around it, and fragments of their carving still turn up in the ruins.
- A local branch: after the great Gurjara-Pratihara empire broke up, a branch of the family held on here as local rulers.
- A dowry capital: at the end of the fourteenth century Rao Chunda of the Rathores allied with the Pratiharas, married a Pratihara princess and received the fort of Mandore as her dowry.
- A clan becomes a dynasty: it made the Rathores, until then chiefs among many, the masters of a real capital.
- Murder at Chittor: Chunda's son Rao Ranmal spent years at the court of Mewar. In 1438 he was murdered there on the orders of Rana Kumbha, who seized Mandore.
- Fifteen years in the desert: Ranmal's son Jodha fled and spent them gathering men and horses.
- The surprise: in 1453 Jodha took Mandore back by surprise.
- Why he left: it sat low beside its stream, with no cliff to protect it. In 1459 he moved to a high ridge south and began Mehrangarh.
- A place of memory: the new town took his name, and Mandore became where the Rathores remembered their dead.
- The other half: heading on to Mewar? Kumbha's fort at Kumbhalgarh completes the story.
The garden of royal memorials
The royal cremation ground: after the move to Jodhpur, Mandore kept this role, with memorials raised for the kings of Marwar for more than three centuries.
Until Takht Singh: in the nineteenth century. After that the family moved its cremations to Jaswant Thada, below the fort.
Why devals: they look exactly like temples.
- Local name
- Devals, from the word for a temple
- Used for
- Royal cremations for over three centuries
- Last king here
- Maharaja Takht Singh, nineteenth century
- Largest
- Maharaja Ajit Singh's
- Then
- Cremations moved to Jaswant Thada
- Ajit Singh's deval: the largest and most elaborate, for the king smuggled out of Delhi as a baby by Durgadas Rathore, who won back Jodhpur from the Mughals in 1707.
- Its form: a high plinth, a pillared hall in front and a tall curved spire, carved all over in red sandstone.
- Around it: memorials to other rulers of the seventeenth and eighteenth centuries, some almost as grand, some smaller and simpler.
- What they record: each marks a royal cremation, and many record in carving and inscription the queens and women of the household who died on the king's pyre. Our guides explain it plainly.
- Still family memorials: no longer places of everyday worship, but treated with respect.
- Across Rajasthan: our piece on what a chhatri is explains how cenotaphs differ.
Why the cenotaphs look like temples
The usual chhatri: in Jaisalmer, Bundi or Udaipur, an open pavilion, a dome on pillars, sometimes with smaller domes around. It owes much to Mughal and Islamic ideas of the domed tomb.
Mandore's route: the devals borrow the plan of the north Indian Hindu temple instead.
The parts: a raised plinth, a columned mandapa in front, and a sanctum crowned by a curving shikhara.
- Plinth
- Raised base
- Mandapa
- The columned hall in front
- Shikhara
- The tall, curving spire
- Stone
- Local red sandstone, as at Mehrangarh
- The effect: a row of temples rather than a cemetery.
- The stone: easy to carve when freshly quarried, it hardens in the air.
- Look closely: bands of carving on the hall pillars, with lotus flowers, elephants, dancers, gods and geometric borders.
- Spires within spires: each carries miniature copies of itself, layered one above another, a classic temple device.
- The vocabulary: our architecture guide explains plinth, mandapa and shikhara.
- Compare afterwards: the old devals are heavy, red and temple-like. Jaswant Thada is white, light and open.
- Changing taste: between them, Rathore taste moves from the medieval temple to the delicate marble of the turn of the twentieth century.
The king in the tallest memorial
The Rathore nobles refused. Led by Durgadas Rathore, son of one of Jaswant Singh's ministers, they smuggled the baby out of the Mughal capital, the story goes, hidden among sweets, while loyal men fought a rearguard action in the streets to cover the escape.
A king dies far from home: in 1678 Maharaja Jaswant Singh I died on the north-west frontier in the service of the emperor Aurangzeb, with no living son.
Two births: months later two of his widows gave birth to sons in Lahore. One survived, the infant Ajit Singh.
- Father died
- 1678, on the north-west frontier
- Born
- In Lahore, months later
- Saved by
- Durgadas Rathore
- Retook Jodhpur
- 1707
- Ruled until
- 1724
- Aurangzeb's move: he saw a chance to bring Marwar under direct Mughal rule and ordered the child raised at court in Delhi.
- Thirty years of raids: the child was raised in secret in the hills, while Durgadas and the Rathore clans fought ambushes against Mughal garrisons across Marwar.
- The return: after Aurangzeb died in 1707, Ajit Singh marched on Jodhpur and took it back. Fateh Pol at Mehrangarh still commemorates it.
- His end: he ruled until 1724, when he was murdered. His memorial is the grandest at Mandore.
- Durgadas's end: he died far from Marwar, at Ujjain, after falling out with the king he had saved.
- Not forgotten: his statue and memorial stand on the edge of Jodhpur.
- Read more: our Jodhpur royal family piece and Mughal and Rajput history essay.
A walk through Mandore, stop by stop
The cenotaph garden
When: ideally late afternoon, when the red stone warms up.
- Start: walk around Ajit Singh's memorial first, then wander between the others.
- Climb up: the steps of one of the halls, if open, and look along the line of spires.
The Hall of Heroes
What it is: a long gallery of large, brightly painted figures carved from the living rock face.
- Who: the folk heroes of Marwar and a number of gods, sixteen figures in all, each mounted or armed.
- Its charm: closer in spirit to a village shrine than a royal monument.
The temple of thirty-three crore gods
Where: next to the Hall of Heroes.
- For whom: the 330 million gods of Hindu tradition, the tetees karod devta, a number meant to suggest the divine is everywhere and uncountable.
- Inside: painted gods and spirits crowd the walls.
- Still worshipped: by local people, so shoes come off.
The museum in the zenana
What: a small government museum, opened in 1968, in the old zenana building.
- The collection: sculpture, inscriptions and local history, modest and old-fashioned in display.
- Worth a look: the Pratihara-era carvings, for anyone drawn to the deep past.
The old fort on the hill
The ruins: thick walls built in several stages, and the remains of an old temple with fine carving.
- Cared for: the Mehrangarh Museum Trust has adopted the fort for conservation.
- The climb: short but rough.
- The view south: towards Jodhpur, which explains at a glance why Jodha moved.
The langurs
Who they are: grey langurs, the long-tailed, black-faced monkeys on the cenotaph roofs.
- Their mood: generally calm, but they know what a snack looks like.
- Rules: keep food out of sight, don't feed them, and don't stare or bare your teeth, which they take as a challenge.
- Their place in local life: our page on langurs and temples.
The folk heroes of Marwar
Lok devta: usually warriors or saints, now worshipped across the desert.
How they live on: sung by village bards, painted on long cloth scrolls and remembered at fairs that draw huge crowds.
The highest honour: many died defending cattle, women or a promised word, in a herding country where that mattered most.
- Lok devta
- Folk deities who were once real people
- Pabuji
- Rathore hero, sung by the Bhopas
- Ramdevji
- Fourteenth-century saint, shrine at Ramdevra
- Gogaji
- The snake-god
- Pabuji: said to have ridden out from his own wedding to rescue a herd of camels, and died in the fight.
- His epic tonight: still performed by the Bhopas, singer-priests who unroll a painted scroll and sing before it. Read the Bhopa and the phad.
- Ramdevji: honoured by Hindus and Muslims alike, he draws one of Rajasthan's largest pilgrimages to his shrine at Ramdevra, west of Jodhpur.
- Gogaji: worshipped across the north.
- At Mandore: the painted figures are the royal court's way of honouring village heroes alongside the gods.
- The style: bold, a little naive and very bright, best in the soft late light.
- A game for children: guessing which figure belongs to which story, while our guides tell who is who.
Mandore today, a Jodhpur picnic ground
Weekends and holidays: the lawns fill with families.
Picnic circles: women in bright odhnis, the long head cloths of Marwar, sit with tiffin boxes.
- Everyone else: young couples between the flowerbeds, school groups racing from the cenotaphs to the Hall of Heroes.
- At the gate: vendors sell roasted peanuts, ice cream and balloons.
- Weekday mornings: far quieter, but you miss the best of its character.
- The Marwar Festival: around the October full moon, the Marwar Festival brings music and folk performances to the gardens.
- Hero fairs: local fairs honouring the heroes are held here through the year. Our guides will say whether one is worth the crowds.
The best hour and the best season
Our usual plan: Mehrangarh in the morning, a rest, then Mandore in the late afternoon.
Why then: the light warms the sandstone, the langurs are active and the families arrive.
- Best hour
- Late afternoon
- Also good
- Early morning, quieter and cooler
- Season
- October to March
- Hot months
- April to June, short and early
- Monsoon
- July to September, briefly green
- Early morning: good for photographers who want the spires without crowds.
- Winter: green gardens and clear air.
- Summer: very hot by mid-morning, so we keep the visit short and early.
- Monsoon: the gardens and hills turn briefly green, and the stream below the fort may run, which few visitors ever see.
- Month by month: our best time to visit Jodhpur guide.
How long to allow
About two hours: our usual route, taking in the cenotaph garden, the Hall of Heroes, the temple of thirty-three crore gods, the zenana museum and the climb to the old fort.
About an hour: if you are passing on the way north to Osian or Nagaur, keep to Ajit Singh's deval, the line of spires and the Hall of Heroes.
- A long afternoon: add tea or lunch on the terrace at Bal Samand Lake Palace, then drive back for the clock tower at dusk.
- Without the climb: guests who would rather not tackle the rough fort path can stay on the mostly flat gardens and lose very little of the story.
- With children: leave time on the lawns and for the langurs, which they will remember longer than any cenotaph.
How to visit well
Getting there: about half an hour from the old city, depending on traffic.
Combine it: with Bal Samand Lake Palace, on the same side of the city.
- Drive
- About half an hour from the old city
- Footwear
- Comfortable, sturdy for the fort
- Shrines
- Shoes off, dress modestly
- Access
- Gardens mostly flat, fort not for wheelchairs
- Take a guide: the site has few labels, and without the stories the cenotaphs are just handsome buildings.
- Shoes: comfortable ones, and good ones for the rough, uneven path to the hill fort.
- Langurs: keep food and plastic bags out of sight, and never feed them.
- At working shrines: remove shoes, including at the temple of thirty-three crore gods, and dress modestly.
- Mobility: the gardens suit guests with limited mobility, though some plinths have steep steps.
- Weekends or weekdays: weekends are lively and crowded, weekdays calm. Choose by what you want to see.
Tea, snacks and a long lunch
At the gate: roasted chana, peanuts, ice cream and cold drinks, with a chai seller never far away.
No proper meal inside: there is nowhere in the gardens we would recommend.
- Our picnic: kachoris, fruit and sweets from the old city.
- Or lunch by the lake: on the terrace at Bal Samand Lake Palace, a short drive away.
- On the way back: the old city's sweet shops are waiting with mawa kachori.
- A neat evening: gardens until the light goes, then the clock tower and Sardar Market for mirchi bada and lassi as the lights come on.
- The dishes: our food of Jodhpur guide has the places our family trusts.
- Royal evenings: our private palace dinner page explains how we arrange them.
What most visitors miss
The hill fort: with its view south to Mehrangarh, it turns the history from a story into a map.
The smaller devals: the carving on their pillars is often finer than on the large ones.
- Pratihara fragments: in the museum, older than anything else you will see in Jodhpur.
- The Hall of Heroes at dusk: in the last half hour of light, when the colours glow.
- The families: sit on the grass for twenty minutes and you learn more about Jodhpur life than in any museum.
- Mandodari's legend: ask our guide to tell it on the spot, and why some families here don't celebrate Dussehra.
Who will love it, and who can skip it
History lovers: if you like history told through places.
People watchers: if you enjoy seeing how a city spends its Sunday.
- Families: children who have had enough of museums can run on grass and watch monkeys.
- Photographers: red spires against a blue winter sky.
- Repeat visitors: they often tell us it was the surprise of their second trip.
- Skip it if: you have only one day, or have seen several cenotaph gardens already and are short of time. See Jaswant Thada, closer to the fort, and save Mandore for a return.
- Heading north: to Osian or Nagaur, it is directly on your way, and an hour here costs you almost nothing.
What to pair it with
Our things to do in Jodhpur guide and the Jodhpur itinerary show where Mandore fits, and the wider Marwar region page introduces the countryside beyond.
- Bal Samand
- A short drive
- Osian
- About ninety minutes beyond
- Jaswant Thada
- Below the fort
- Mehrangarh
- The capital that replaced it
Bal Samand Lake Palace
- The setting: a red sandstone summer palace above Balsamand Lake, with gardens and orchards running down to the water.
- Stop for: tea on the terrace.
Jaswant Thada
- Old then new: see the older memorials here, then the marble one below the fort. The change in style tells its own story.
Osian, on the way north
- The temples: among the oldest in Rajasthan.
- The timing: Mandore in the morning, then Osian for the afternoon light and the dunes.
Mehrangarh, the capital that replaced it
- If only one: it should be the fort.
- Seen together: Mandore and Mehrangarh explain each other.
Where to stay nearby
Bal Samand Lake Palace
- Closest and calmest: of our Jodhpur hotels to Mandore.
- Good for: families who want space, gardens and a lake to walk around.
Umaid Bhawan and RAAS
Two city choices: Umaid Bhawan Palace on Chittar Hill and RAAS Jodhpur below the fort.
- Distance: both within about half an hour.
- Compare them: our luxury hotels in Jodhpur guide.





