Kashi, the city of light
It is crowded, noisy and sometimes shocking, and it is also the most deeply moving place we know. The secret to a good visit is not to fight it, but to choose your hours, your vantage points and your guide carefully, and to leave time simply to sit by the river.
Where the name comes from: two small rivers, the Varuna to the north and the Assi to the south, between which the city stretches along the western bank of the Ganga.
A river turning home: here the Ganga makes a long curve and flows northward, towards the Himalaya it came from, which Hindus consider especially auspicious.
- The name
- Between the Varuna and Assi rivers
- The river
- Ganga, flowing north on a long curve
- Faces
- East, so dawn falls on the ghats
- BHU founded
- 1916
- Sacred to
- Hindus, Jains and Buddhists
- Sunrise on the steps: the city faces east across the water to an empty sandbank, so every morning the sun rises straight onto the ghats, the stone steps that run down to the river along almost the whole old city.
- Shiva's city: for Hindus, Kashi belongs to Shiva, who is said never to leave it.
- Freedom from rebirth: it is believed that to die here, and be cremated on its ghats, is to be freed from the cycle of rebirth. People come in old age to wait for that release, and families bring their dead from far away.
- Poets and saints: Kabir and Ravidas were born here, and Tulsidas wrote much of his Ramcharitmanas here.
- A university city: Banaras Hindu University, founded in 1916, is one of the largest residential universities in Asia.
- Sacred to others too: Jains revere Varanasi as the birthplace of Parshvanath, and Buddhists come to Sarnath, just outside, where the Buddha first taught.
- Outside ordinary time: Mark Twain wrote that Benares is older than history and tradition. People here say the city stands on the tip of Shiva's trident.
The ghats, from Assi to Panchganga

Mostly eighteenth century: the Marathas and other royal houses from across India competed to endow the holy city and rebuilt most of the ghats.
- A parade of kings: Rajput, Maratha, Bengali and South Indian rulers built palaces, temples and bathing steps along the riverfront.
- How to see them: you can walk the whole waterline in the dry season, but it is far better seen first from a boat, then explored on foot in sections.
Assi Ghat, the southern gate
Where: the Assi stream meets the Ganga here, the traditional southern boundary of the city, and many pilgrims begin here.
- Mornings: a programme of aarti, music and yoga greets the sunrise.
- Evenings: students from the university gather on the steps.
- Good for: the most relaxed ghat for a first walk.
Tulsi, Chet Singh and the wrestlers
- Tulsi Ghat: where Tulsidas lived, with an old akhara, a traditional wrestling ground, where young men train in the soft earth at dawn.
- Chet Singh Ghat: just north, fortified, recalling the raja of Banaras who fought the East India Company in 1781.
Kedar and Harishchandra
- Kedar Ghat: its temple stairs are painted in red and white stripes, and it is beloved by South Indian and Bengali pilgrims.
- Harishchandra Ghat: named after a legendary king who served at a cremation ground, it is the smaller of the two burning ghats.
Dashashwamedh, the busy heart
The legend: Brahma is said to have performed ten horse sacrifices here.
- Today: the busiest ghat in the city, close to the Vishwanath temple, with flower sellers, priests under bamboo umbrellas, boatmen and pilgrims at every hour.
- Every evening: the great Ganga aarti is held here.
Man Mandir, a Rajasthani palace on the Ganga
Close to our hearts: Raja Man Singh of Amber built a palace here around 1600.
- The observatory: more than a century later, Sawai Jai Singh II, the founder of our Jaipur, added one of his five observatories to its roof, a sister of the Jantar Mantar in Jaipur.
- Why go up: the instruments are smaller, but standing among them above the Ganga, you feel the reach of our Kachwaha kings.
Manikarnika, the great burning ghat
- What it is: the holiest cremation ground in Hinduism, where fires burn day and night.
- How to visit: quietly, from a distance, with a guide. We explain below.
Scindia, Panchganga and the north
Scindia Ghat: built by a queen of Gwalior, with a Shiva temple that has sunk and leans into the river, half submerged.
- Panchganga Ghat: said to be where five sacred rivers meet, with the Alamgiri mosque, built under Aurangzeb, rising above it.
- The quiet end: the northern ghats give a glimpse of everyday neighbourhood life on the river.
Dawn on the river, by rowing boat
If you do one thing in Varanasi, do this. As the light comes up, the ghats fill: men in white dhotis waist-deep in the water, offering it back to the sun from cupped hands; women in bright saris bathing in groups; old men doing yoga; washermen slapping cloth on the stones; children diving off the platforms.
Our boatman: we walk you down to a wooden rowing boat with a boatman whose family has worked this stretch of river for generations.
- Meet
- At your hotel, well before sunrise
- Boat
- Wooden rowing boat, not motor
- Plan
- Two trips, dawn and dusk
- Winter bonus
- Migrating gulls over the river
- Monsoon
- July to September, boats often stopped
- Why not a motorboat: they are quicker, but loud, and the dawn here deserves silence.
- The stories: the boat moves slowly downstream past the palaces and temples, and your guide tells their stories quietly, ghat by ghat.
- In winter: flocks of gulls migrate to the river and wheel around the boats.
- Float a lamp: you can set a small lamp of leaves and marigolds on the water, as pilgrims do. We prefer the ones made without plastic.
- Breakfast after: once the sun is up, the boat drops you at a ghat for a walk through the waking lanes and a breakfast of kachori and jalebi.
- Sunset too: the ghats are just as beautiful from the water as the sky turns orange and the lamps come out, so we usually plan two boat trips, one at dawn and one at dusk for the aarti.
- Monsoon caution: from July to September the river can rise over the lower ghats and boats are often stopped, so check before you plan around them.
The evening Ganga aarti

What happens: a row of priests offers light to Mother Ganga from wooden platforms facing the river. They blow conch shells, ring bells, wave incense and circle great brass lamps, all in unison, to chanting and song.
The setting: the steps behind them are packed with pilgrims, and the river in front is crowded with boats.
- Where
- Dashashwamedh Ghat
- When
- Every evening at dusk
- Calmer option
- Assi Ghat, evening and dawn
- Arrive
- Early, the best places fill fast
- From the water: in a boat we hold in position at the front, you see the priests framed against the lit ghats and avoid the crush on the steps.
- From the ghat: on reserved seats or a balcony we arrange, you feel the crowd and the heat of the lamps.
- Do both: neither view is wrong, and many of our guests do one each evening.
- Arrive early: the best places fill well before the ceremony begins.
- The quieter aarti: a smaller, calmer one is held at Assi Ghat, and in the early morning as part of the dawn programme there.
At the burning ghats, with respect
The holiest cremation ground: fires have burned at Manikarnika, it is said, without interruption for centuries.
The Dom community: their hereditary role is to keep the sacred fire and perform the cremations.
The procession: bodies wrapped in white or saffron cloth and marigolds come down the lanes on bamboo stretchers to the chant of Ram naam satya hai, the name of Rama is truth.
- Holiest ghat
- Manikarnika
- Fires
- Burning day and night, for centuries
- Kept by
- The Dom community
- Firm rule
- No photos or filming, ever
- Best vantage
- A boat, or an upper level with a guide
- The rite: each body is dipped in the Ganga and placed on a pyre of stacked wood, lit by a close male relative, usually the eldest son, whose head is shaved in mourning.
- Is it ghoulish to watch: no. Many Indians find it calming, a frank acknowledgement of death in daily life. But it is a funeral, and every fire is a family's grief.
- Never photograph: not the cremations, the bodies or the mourners. This is the one firm rule of the ghats, and it is enforced.
- Keep your distance: watch from a boat or from an upper level with your guide, and keep your voice low.
- Dress and behave soberly: dress modestly, and don't eat, smoke or laugh loudly nearby.
- The known trap: ignore anyone who offers to take you closer or asks for money for wood for the poor or for a hospice.
- If it affects you: step away. Our guides are used to it, and it is perfectly natural.
The galis, Varanasi's lanes
A labyrinth: the galis, lanes, run up from the river in every direction. Without a local you will be lost in five minutes, so our guides, who grew up here, take you on foot.
Shrines in every wall: every other wall holds a lingam or a goddess smeared in vermilion.
What the lanes sell: kachoris frying in cauldrons, brass pots, sacred threads, rudraksha beads, silk and wedding turbans.
- Kashi Vishwanath
- One of the twelve jyotirlingas
- Present temple
- Built 1780 by Ahilyabai Holkar
- Gold spires
- Gift of Ranjit Singh, 1835
- Corridor to the river
- Opened 2021
- Leave behind
- Phones, bags and cameras
- Who you share them with: cows and bulls wander freely.
- Kashi Vishwanath: at the centre stands one of the twelve jyotirlingas, the holiest shrines of Shiva.
- Who built it: the present temple was built in 1780 by Ahilyabai Holkar, the Maratha queen of Indore.
- The Golden Temple of Varanasi: in 1835 Maharaja Ranjit Singh of Punjab gave about a tonne of gold to plate its spires.
- The corridor: in 2021 a broad corridor opened connecting the temple to the river.
- Security: strict. Phones, bags and cameras are usually not allowed inside, so we arrange for them to be held. Expect long queues at festival times.
- Sankat Mochan: the temple to Hanuman, founded according to tradition by Tulsidas.
- The Durga temple: known for its red spire.
- Thatheri Bazaar: the street of the brass-workers.
- Banaras Hindu University: on its leafy campus, the Bharat Kala Bhavan museum holds fine miniature paintings, textiles and sculpture, and the new Vishwanath temple there is open to all.
What Banaras eats
Kachori-sabzi: breakfast in the lanes, small puffed breads stuffed with lentils and served with spiced potato curry, followed by jalebi straight from the oil.
Malaiyo: from about November to February, a cloud of saffron-scented milk foam whipped in the cold night and sold only in the early morning. It melts on the tongue and vanishes before noon.
Lassi: thick, in clay cups, topped with a layer of cream.
- Breakfast
- Kachori-sabzi and jalebi
- Winter only
- Malaiyo, about November to February
- Only in Banaras
- Tamatar chaat
- Summer fruit
- The Langda mango
- Near temples
- Mostly vegetarian, alcohol in hotels
- Tamatar chaat: a spicy, tangy tomato dish made only in Banaras, for the evening.
- Chooda matar: flattened rice with green peas, a winter dish.
- Banarasi paan: betel leaf folded around areca nut, spices and sweet fillings, famous across India. Every family has its favourite paanwala. Ask for a sweet paan without tobacco.
- Langda mango: in summer, one of the finest mangoes in the country.
- Thandai: at Holi everyone drinks this chilled milk with almonds and spices.
- Vegetarian city: much of the old city is vegetarian, especially near the temples, and alcohol is found mainly in hotels.
Banarasi silk, from the loom

Centuries of brocade: Varanasi has woven silk brocade for centuries, and a Banarasi sari is still part of many Indian brides' trousseaux.
The weavers: much of the work is done by families of the Ansari community in Madanpura, Lallapura and Peeli Kothi, often on handlooms in the family home.
Zari: the finest saris use gold or silver thread, in flowers, vines, birds and paisleys.
- Weaving quarters
- Madanpura, Lallapura, Peeli Kothi
- Gold thread
- Zari
- A complex sari
- Weeks or months on the loom
- Protection
- Geographical indication for handloom
- Kadhua: each motif is woven separately by hand, so the back is clean and the work slow.
- Jangla: dense, all-over vines.
- Tanchoi: intricate patterns in coloured silk, without metal.
- The imitations: much cheaper powerloom copies flood the market. Real handloom work has a protected geographical indication.
- Buy from the makers: we take guests to weaving families we know, to see the looms and buy directly from the people who make the cloth.
- Know what you're buying: our shopping guide explains how to tell handloom from powerloom and real zari from plated thread.
- Beside our own textiles: our textile shopping page shows how Banarasi silk sits beside the block prints and tie-dyes of Rajasthan.
Sarnath, where the Buddha first taught

The first sermon: after his enlightenment at Bodh Gaya, the Buddha came to a deer park here and taught five companions, setting the wheel of the dharma in motion.
Ashoka's gift: the emperor built stupas and a great polished pillar here in the third century BCE.
A thousand years of monks: Sarnath thrived as a monastic centre for over a millennium.
- Distance
- About 10 km north-east of Varanasi
- Ashoka's pillar
- 3rd century BCE
- Dhamek Stupa
- Rebuilt in the Gupta period
- Mulagandha Kuti Vihara
- Opened 1931
- Best time
- Late morning, after the dawn boat
- Dhamek Stupa: massive, rebuilt in the Gupta period, it marks the spot traditionally linked to the sermon. Its lower walls are carved with delicate geometric and floral patterns.
- The lion capital: in the Sarnath Museum, four lions back to back above a wheel, which independent India adopted as its national emblem. Its polish still gleams after more than two thousand years.
- One of the ancient world's great sculptures: the capital alone is worth the drive.
- Mulagandha Kuti Vihara: a modern temple opened in 1931, with murals of the Buddha's life painted by a Japanese artist.
- Temples of many nations: Buddhist communities from Thailand, Tibet, Japan, Sri Lanka and elsewhere have built temples around the park.
- Our rhythm: we go in the late morning, after a dawn on the river, and stay for lunch.
- For families: a welcome contrast with the intensity of the old city, and children love the gardens and the deer.
Where to stay in Varanasi
BrijRama Palace, on the ghats
The building: a sandstone palace on Darbhanga Ghat from the early nineteenth century, later owned by the royal family of Darbhanga and restored as a hotel.
- Arriving: by boat or through the lanes.
- Why stay: the best rooms look straight onto the Ganga, and waking here with the river and the bells outside the window is the reason to come.
- What to ask for: a river-facing room on the upper floors, and breakfast on the terrace.
Taj Nadesar Palace, in a garden
The building: a small palace in the cantonment, once a residence of the Maharajas of Banaras, set in quiet gardens.
- Size: run by Taj, with only a handful of suites.
- Who it suits: guests who want space, privacy and calm after a day in the crowds, and who don't mind driving to the ghats each morning.
Choosing between them
Your one time in Varanasi: sleep on the river, and feel it.
- Older travellers, small children, or tired of crowds: the garden palace gives you a sanctuary to come back to.
- Or split the stay: some guests do a night or two in each.
- More options: we compare them in luxury hotels in Varanasi.
When to come, and the festival days
October to March: the best season, with warm, dry days.
December to February: mornings are cold and often misty on the river, which makes the dawn boat ride magical but chilly. Bring a shawl.
- Best season
- October to March
- Misty mornings
- December to February, bring a shawl
- Very hot
- April to June
- Monsoon
- July to September
- Dev Deepawali
- Kartik full moon, October or November
- April to June: very hot.
- July to September: the monsoon swells the Ganga over the lower ghats, and the aarti sometimes moves to higher ground.
- The detail: our page on the best time to visit Varanasi.
Dev Deepawali, the Diwali of the gods
When: the full moon of Kartik, about two weeks after Diwali, in October or November.
- What you'll see: countless clay lamps lighting the ghats from end to end, all reflected in the river.
- Plan ahead: the most beautiful night in Varanasi is also the most crowded, so we book boats and rooms far ahead.
The Ramlila of Ramnagar
Where: across the river, at the eighteenth-century Ramnagar Fort of the Maharajas of Banaras.
- What: the story of Rama, performed over about a month each autumn, moving around the town as the audience follows.
- Recognised: the Ramlila tradition is listed by UNESCO as intangible heritage.
Mahashivratri, Holi and the music festivals
Mahashivratri: Shiva's great night, in February or March, brings huge crowds to the Vishwanath temple.
- Holi: Holi here is wild and joyous.
- Sankat Mochan music festival: a famous gathering of musicians at the temple, around April.
- A city of musicians: the Benares gharana of tabla, the shehnai of Bismillah Khan and the sitar of Ravi Shankar, who was born here, are part of the city's pride.
Getting to Varanasi
By air: Lal Bahadur Shastri International Airport (VNS) is at Babatpur, about an hour from the ghats, with direct flights from Delhi in about an hour and a half, and from many other Indian cities.
By train: the Vande Bharat Express links Delhi and Varanasi in about eight hours, for travellers who enjoy trains.
- Airport
- Lal Bahadur Shastri (VNS), Babatpur
- Airport to ghats
- About an hour
- From Delhi by air
- About an hour and a half
- From Delhi by train
- About eight hours, Vande Bharat
- Our journey
- Twelve nights, Jaipur to the Ganga
- From Khajuraho: a full day by road from Khajuraho, so we fly when connections allow.
- In the old city: cars cannot reach the ghats. We walk, take cycle rickshaws, or use the river itself, the best road in Varanasi.
- Gateways from the west: Delhi and Agra, with Rajasthan before them.
- Our journey: the Rajasthan and Varanasi journey runs twelve nights from Jaipur to the Ganga.
- How we route it: our journal piece on combining Rajasthan and Varanasi.
Three days in Varanasi, at the river's pace
- Shorter and longer versions: our Varanasi itinerary.
- More ideas: things to do in Varanasi.
Day one, arrival and the aarti
Midday: fly in by lunchtime and settle into your room on the river.
- Late afternoon: a boat downstream as the light turns gold.
- Evening: stay on the water for the aarti at Dashashwamedh, then dinner on the terrace.
Day two, dawn, lanes and Sarnath
Before sunrise: a rowing boat past the bathers and the burning ghats.
- Morning: walk up through the lanes to the Vishwanath temple area with your guide, and breakfast on kachori, with malaiyo in season.
- Late morning: drive to Sarnath for the stupa and the museum, with lunch nearby.
- Evening: rest, then watch the aarti from the steps.
Day three, silk and the southern ghats
Morning: visit a weaving family and watch Banarasi silk on the loom.
- Afternoon: walk the southern ghats from Assi to Kedar, see the wrestlers at Tulsi Ghat and the Bharat Kala Bhavan museum.
- Evening: a private music recital.
What we tell our own family before Varanasi
Sleep on the river if you possibly can: commuting to the ghats from a distant hotel means missing the best hours.
Dress for temples: wear shoes you can slip off, and clothes that cover shoulders and knees.
- Photographs: never photograph the cremations, and ask before photographing sadhus or pilgrims. Some sadhus pose for money, and the polite answer is a smile and a no.
- The river: don't drink from or swim in the Ganga, however devout the crowd. A sprinkle on the head is enough.
- Watch your step: the ghats are steep, uneven and often wet.
- Before the Vishwanath temple: read our temple etiquette guide, and leave phones and bags with your guide.
- Who will love Varanasi: anyone curious about faith, ritual and the oldest rhythms of Indian life.
- Who will not: travellers who find crowds, poverty or death hard to face. For them, a single night and a boat ride is the gentler way in.






