Why we bring guests to Khuri
The road: past the ruins of Kuldhara, growing emptier with every kilometre.
The village: among low dunes and sandy scrub, with khejri trees in the fields and herds of goats moving slowly across the sand.
What's there: a small bazaar, a cluster of guesthouses and simple camps, and a great deal of space.
- Where
- About an hour south-west of Jaisalmer
- On the way
- Kuldhara ruins
- Dunes
- Low and rolling
- Best for
- Quiet sunsets and village life
- Big-dune photos
- Sam at dawn instead
- Smaller than Sam: the dunes here roll rather than soar, broken up by bushes and grazing land.
- For one perfect dune: if your heart is set on an immense, sculpted dune for a photograph, Sam at dawn is still the better choice.
- Khuri's gift is atmosphere: sunset watched with a few other people, or none, while a shepherd brings his flock home below you.
- After dark: the village lights are faint and the stars are bright.
- A real village: not a stage set behind a row of camps. Children walk to school, women carry water and fodder.
- Two jobs: the men who drive jeeps or lead camels in the evening are often farmers and herders by day.
- What you take home: come with respect and a little time, and you'll understand the Thar far better than from a dune top.
- The two compared: our journal piece Sam or Khuri.
A village built from the desert itself

A compound, not a house: low walls of stone or mud enclose a sandy courtyard.
Two kinds of room: rectangular rooms with flat roofs, and round huts with conical thatched roofs that stay cool in the worst heat.
Thick walls: they hold the night's cold into the morning and the day's warmth into the evening, vital where temperatures swing twenty degrees between noon and midnight.
- House
- A walled compound
- Round huts
- Conical thatch, cool in heat
- Plaster
- Clay, dung and water
- Rain cistern
- Tanka
- Seep wells
- Beris
- Women's work: walls and floors are plastered by hand with clay, dung and water, which keeps out insects and dust.
- A sign of celebration: plaster is renewed before festivals and weddings, so a fresh coat means something is about to be celebrated.
- Patterns: many families paint walls and doorways with simple white or ochre designs, passed from mother to daughter.
- Catching rain: it may fall on only a handful of days a year, so many compounds have a tanka, a covered underground cistern into which the courtyard drains.
- Beris: out in the fields, narrow shallow wells tap moisture seeping through the sand above a harder layer of ground.
- The old systems endure: piped water and tankers have reached most villages, but everyone here remembers a drought.
- Women's dress: full skirts called ghagras with a long odhni, printed or tie-dyed in red, orange and deep green.
- White bangles: in some communities married women wear them stacked from wrist to upper arm.
- Men's dress: white dhotis and kurtas, with turbans in saffron, red or patterned cloth.
- Reading a turban: its tie and colour can tell a local where a man is from and what the occasion is. See our piece on the turbans of Rajasthan.
- Visiting a home: we arrange it through families we know, at a time that suits them, with tea, and we pay the family for their time.
- Never uninvited: please don't wander into compounds, however open they look.
The rhythm of a desert day
- Desert drink
- Chhaach, buttermilk
- Stove
- Chulha, of clay
- Monsoon crops
- Millet, moth beans, guar
- Afternoon
- Rest in the shade
Before sunrise
In the dark: women light the chulha, the clay stove, with dung cakes and twigs.
- First job: milking and churning. Buttermilk, chhaach, is the drink of the desert, and much of the butter becomes ghee.
- First light: the goats and sheep are let out, and older children drive them to the grazing land.
The working morning
Further out: men and boys take the larger herds of cattle and camels.
- The rainy season: from July to September, families plough and sow pearl millet, moth beans and guar, and the whole harvest depends on a few good showers.
- The dry months: fodder, firewood, repairs and the long walk to water.
The still afternoon
- Rest in the heat: women embroider, men mend saddles and ropes, and the village goes quiet.
- Your hour: in your tent with a book, not on the dunes.
Evening and night
Homecoming: the herds come back over the dunes in clouds of dust and bells, and smoke rises from every courtyard.
- Early supper: eaten as the light goes.
- In the camps: musicians from nearby villages sing, and on a winter night a fire is the centre of the world.
On the dunes at Khuri

The shape of the sand: long, gentle ridges with grassy hollows between them.
Our sunset walk: in the late afternoon our guides walk guests out of the village onto the nearest high ground, away from any camp.
What you see: shadows lengthening across the ripples, the sky turning from blue to apricot, the first star above the darkening dunes.
- Shape
- Long, gentle ridges
- Camel rides
- An easy hour, with owners we know
- Children
- With a parent, led on foot
- Best walk
- First light, with a guide
- Shoes off: the sand cools quickly once the sun goes down.
- A gentler camel walk: the pace at Khuri is usually slower than at Sam.
- Our checks: owners we know, camels that are healthy, well fed and properly saddled, and rides kept to an easy hour.
- What we don't book: racing, or long rides in the heat.
- Longer journeys: our camel safari page explains rides that begin or end at Khuri and continue for a night or two across the open desert.
- For walkers: go out at first light with a guide, read the night's tracks, and watch larks and wheatears in the scrub.
- Not empty: in the quiet of Khuri you are more likely to see that the Thar is full of life.
The land around the village

Every bush remembered: families know which khejri gives the best sangri, which hollow holds rain longest and which grazing recovers fastest.
The oran: common land dedicated to a local deity, where trees may not be cut and animals graze freely.
Best-kept scrub: these sacred commons are often where you find the most birds and the oldest trees.
- Sacred commons
- Orans
- At dawn
- Chinkara
- At dusk
- Foxes
- Winter overhead
- Demoiselle cranes
- Change
- Wind, solar and canal water
- Monsoon grass: the fodder that keeps the herds alive through the dry months.
- The national park: further south and west, the same grassland inside the Desert National Park shelters the great Indian bustard, chinkara and many winter eagles and falcons.
- Around Khuri: chinkara at dawn, foxes at dusk and, if you are very lucky, a desert cat.
- Birds: larks, wheatears, shrikes and sandgrouse are common.
- Cranes: in winter, flocks of demoiselle cranes sometimes pass high overhead.
- A changing horizon: wind turbines and solar farms in many directions, power lines across the plain, and canal water turning scrub into fields.
- Mixed feelings: new jobs and roads on one side, lost grazing and danger to birds on the other.
- Ask your guide: you'll get an honest and thoughtful answer.
Where to stay for Khuri
- In Khuri
- Simple camps and guesthouses
- Most romantic
- A private camp, one night
- Near Jaisalmer
- Suryagarh or The Serai
- Drive back
- About an hour
A night in the village
Simpler than Sam: quality varies and owners change, so we visit before we recommend anywhere.
- What we look for: clean private bathrooms, fresh food and a quiet setting.
- More comfort: a private camp on the dunes, with proper beds, a bathroom tent, a cook and a fire, for one night only.
- Honestly: it is not cheap, but it is the most romantic night in the Thar.
Stay near Jaisalmer
The other way: sleep at Suryagarh on the edge of Jaisalmer or at The Serai, SUJAN's desert camp east of town.
- Khuri for the evening: drive out for sunset and dinner, and back under the stars.
- Compare: our page on luxury desert camps, and luxury hotels in Jaisalmer for the town.
Village homestays
Live alongside a family: a simple homestay in the region with a family we trust.
- What to expect: a clean bed, home cooking and genuine hospitality rather than luxury.
- More detail: our guide to rural homestays.
What the village eats
Bajra: pearl millet grows when almost nothing else will.
The rotis: ground and patted by hand, cooked on a clay griddle over dung embers, and eaten with ghee and a fiery garlic and red chilli chutney.
Raabdi: in winter, millet cooked into a thin porridge soured with buttermilk.
- Staple
- Bajra, pearl millet
- Winter
- Raabdi and khichdi
- Desert dish
- Ker sangri
- Camp treat
- Dal baati
- Welcome
- Chai in small glasses
- Khichdi: millet with moth beans.
- Kadhi: yoghurt cooked with gram flour, made almost daily.
- Ker sangri: the small, tart berries of the ker bush with the long beans of the khejri, cooked with spices and oil.
- Food that stores: fresh vegetables were once rare luxuries, so meals were built on beans, berries, millet, gram flour and dairy.
- Dal baati: baked wheat balls broken into lentils and soaked in ghee, a treat camp cooks make for guests.
- Tea is welcome: chai boiled with milk, plenty of sugar and often ginger or black pepper in winter, poured into small glasses or saucers.
- Accept at least one: refusing outright can seem cold, but saying you have just had some is perfectly polite.
- If offered food: take a little with your right hand, and know the family may eat only after their guests have finished.
- A family kitchen: ask your guide to arrange an evening watching rotis made over the fire, eating cross-legged on a rug in the courtyard.
- The dishes explained: our Rajasthani food guide.
Music, embroidery and the long winter evenings
Hereditary musicians: the Manganiyars and Langas of the villages around Jaisalmer sang for patron families at births and weddings for generations.
In the camps: many at Khuri invite musicians in the evenings.
At its best: unamplified, with the musicians free to choose the songs.
- Musicians
- Manganiyars and Langas
- Bowed lute
- Kamaicha
- Clappers
- Khartal
- Best music
- Unamplified, their choice of songs
- Embroidery
- Buy directly from the maker
- Listen for: the kamaicha, the Manganiyars' bowed lute, and the quick, clattering khartal, wooden clappers played in each hand.
- The tradition: our page on the Manganiyar singers explains it, and we pay musicians directly.
- Afternoon embroidery: women stitch quilts, bags, wedding clothes and wall hangings, mostly for their own families.
- Mirrorwork: often covered in tiny mirrors that catch the firelight.
- If you buy: buy directly and pay what the piece is worth. A single bedspread may be months of afternoons.
- For the finest work: combine Khuri with the embroidery villages of Barmer to the south.
When to come to Khuri
October and November: warm and peaceful, with camps just reopening.
December and January: cold at night, sometimes close to freezing, with brilliant skies. Pack warm layers and expect a fire at dinner.
- Season
- October to March
- Coldest
- December and January
- Our favourite
- February and early March
- Camps close
- From April
- Busiest
- Christmas and New Year
- February and early March: warm by day and mild by night.
- From April: intense heat and pre-monsoon dust storms, and most camps close until autumn.
- Desert Festival: in February, Khuri is a peaceful base away from the crowds in town and at Sam. See the Desert Festival.
- Book early: for Christmas and New Year, busy everywhere in the desert.
- The broader year: our guide to the best time to visit Rajasthan and our journal piece on winter in the Thar.
Getting to Khuri, and what to see on the way
On the way: stop at Kuldhara, the abandoned Paliwal Brahmin village, on the same side of town.
The national park: Khuri pairs well with the Desert National Park, south-west of Jaisalmer. Permits are needed and we arrange them.
- Distance
- About 45 km from Jaisalmer
- Drive
- Roughly an hour, paved road
- Kuldhara
- About 18 km from Jaisalmer
- Carry
- Identity documents
- Beyond Khuri: continue by jeep or camel. Our jeep safari in the Thar uses established tracks only.
- Border roads: the roads west lead towards border areas, and checkpoints may ask for identity documents.
- Our journeys: Khuri fits Under the Thar Sky and Udaipur, Jodhpur and Jaisalmer.
- The rest of your stay: read the full Jaisalmer guide.
What to combine with Khuri
Jaisalmer, for the fort and havelis
- Two nights near the golden fort: with a morning in the Jain temples and an evening among the royal cenotaphs at Bada Bagh.
- Then Khuri: it sets up the night perfectly.
Sam, but only at dawn
- The great dunes too: drive to Sam for sunrise while the camps are still asleep.
- Then Khuri for the evening: the drama of one and the peace of the other.
Barmer, for textiles and temples
- South to Barmer: appliqué and embroidery villages and the carved eleventh and twelfth-century temples of Kiradu.
- Onward: to Jodhpur or Gujarat.
Kutch, across the border state
- For textile lovers: Khuri and Barmer lead naturally into the craft villages of Kutch in Gujarat.
- Our journey: Rajasthan and Kutch links the two deserts.
A night at Khuri, the way we'd spend it
- Afternoon
- Kuldhara, then tea at Khuri
- Evening
- Dunes as the herds come home
- Night
- The Milky Way
- Morning
- Tracks, then tea with a family
Afternoon, through Kuldhara
- After lunch: leave Jaisalmer and spend an hour among the ruins of Kuldhara with a guide who knows its real history.
- Around four: arrive at Khuri, have tea and settle in.
Evening, with the herds
Onto the dunes: walk or ride a camel as the herds come home.
- Sunset: from a quiet ridge.
- Supper: by a fire with desert music, millet rotis, kadhi and ker sangri.
Night, the stars
- Step away from the lights: on a clear winter night you can see the Milky Way.
- A telescope: we bring one for guests who want it, and a guide who can name what you're looking at. See stargazing in the Thar.
Morning, the village wakes
First light: walk out with your guide to read the tracks in the sand.
- After breakfast: tea with a family we know and a look at their home.
- Before the heat: drive back to Jaisalmer.
Who Khuri is right for
Perfect for: travellers who have seen the big sights and want an evening that feels personal.
Especially: couples, older guests who prefer calm to spectacle, and families with young children who need space more than drama.
- Loves it
- Couples, families, repeat visitors
- Less so
- Resort lovers, big-dune photographers
- Split option
- Khuri dinner, Jaisalmer bed
- Also: writers, painters and anyone who wants to talk to people rather than photograph them.
- Returning visitors: our first suggestion for a second or third trip to Rajasthan.
- Less suited to: those who want a five-star resort with a spa and a choice of restaurants, because there is none here.
- And: photographers chasing a single towering dune, who should head to Sam at dawn.
- Want both: we split the night: dinner and stars at Khuri, then a comfortable bed at Suryagarh or The Serai an hour away.
What we tell friends before Khuri
Ask before photographing: especially women. A smile and a gesture at your camera is enough, and accept a shake of the head.
No handouts: don't give sweets, pens or money to children. We can suggest a local school or project to support.
- Greeting
- Khamma ghani
- Pack
- Torch, layers, scarf
- Rubbish
- Take it back to Jaisalmer
- Hand
- Right, to give and receive
- Dress modestly: shoulders and knees covered in the village.
- Pack a torch, warm layers and a scarf: winter nights are dark and cold, and the wind brings sand.
- Choose quiet camps: ones that use acoustic music and switch generators off at night. Silence is the luxury here.
- Right hand: use it to give and receive things, including money and food.
- Take your rubbish back: the village has no way to deal with plastic.
- Greet with khamma ghani: the Rajasthani hello, returned with real warmth.




